My artistic practice is the visual representation of my cognitive and emotional processing of new learning. My production process aims to challenge the conventional understanding of photography as a faithful representation of reality. It explores the role of the viewer in the co-creation of the artwork and cultivation of enhanced visual awareness through challenging the subjective nature of reality.
I draw upon phenomenological theory and Walter Benjamin's concept of the loss of aura in mechanical reproduction to drive my process. Through my artistic process, I invite the audience to question the vulnerability of their own perceptual encounters and the boundaries of observation in addition to the impact of others on their experience.
I employ digital photography and manipulation to create authentic and unique photo-media artworks. Multiple images are digitally manipulated and transformed into composite and often self referential artworks. The tension inherent in the artistic creation process, from manipulation and abstraction to the final digitally constructed, reproducible image, addresses destabilised notions of authenticity, production, and the individual sensory experience of the viewer.
The "Connecting to Country" series emerges from a year-long journey as an Integral Ecology fellow, during which I explored the climate crisis and the sphere of influence I have as a passionate teacher and leader for actioned hope. All the images in this series were made on sites of significance for historical or personal learning of ecological rejuvenation, and mindful connection to Place.
Through the process of photographing elements of these sacred sites, I capture the essence of the connection between the self, land, culture, and natural environment. Using digital manipulation, I transform the photographs into evocative compositions that invite viewers to contemplate the delicate balance between human influence, deep time and the natural environment. The artwork becomes a visual narrative that speaks to the urgent need for collective action and responsibility in addressing the current climate collapse.
Inspired by the artistic practices of our First Peoples of Australia, the oldest living cultural and environmental custodians, I incorporate personal geometric symbolism into my artwork. This symbolism pays homage to the rich traditions and profound connection to the land found within Aboriginal and Torres Strait Islander cultures. By infusing the artwork in my “Dreaming” series with these symbols and motifs, I seek to honour and learn from the wisdom of the First Peoples, highlighting the interconnectedness of all living beings and the importance of sustainable coexistence with Country.
The "Connecting to Country" series serves as a call to action, reminding us of the interconnectedness of all life and the responsibility we hold as planetary custodians. As a passionate teacher and emerging leader, I strive to use my artistic practice as a tool for interaction, connection, education and advocacy, encouraging others to join the journey towards a more sustainable and harmonious future. Through the power of art and the exploration of integral ecology, I believe we can ignite a collective sense of hope to action and empower individuals to take meaningful change in their own lives and communities.